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November 16 On Close ReadingStudents, as they began to write on the writings of others, were not to say anything that was not derived from the text they were considering. They were not to make any statements that they could not support by a specific use of language that actually occurred in the text. They were asked, in other words, to begin by reading texts closely as texts and not to move into the general context of human experience or history. Mere reading, it turns out, prior to any theory, is able to transform critical discourse in a manner that would appear deeply subversive to those who think of the studying of literature should really be studying of a combination of ethics, sociology, psychology and intellectual history. There are, after all, more important things than mere reading--there is life, for instance. Only specialists could have built their distinctive professional virtue— textual impeccability—into a theory of interpretation. And the current practice of close reading has lasted, not because it is commonsensical, but because specialists have appointed themselves the policemen of their own field. In an age of specialization, the specialist usually frightens off the amateurs. But this triumph of professionalism is not necessarily a triumph of intelligence or truth. What is at stake, then, is clearly the nature of reading; the question is not whether to be or not to be close but how to read in such a way as to break through preconceived notions of meaning in order to encounter unexpected otherness— in order to encounter objective truths through grounding in language and immersion in the literature, history, and culture of a society. For it is the question of the nature of the act of reading that can either illuminate or repress. November 25 Loss and Gain in an Autumnal NightThe day is cold, and dark, and dreary
The moon hides, and the night is eerie
At every blow the yellow leaves fall
From the moldering trees that call
The vast silence crept through the wind
Wailing, never weary, failed to find
A warm and serene home to rest --
To cease being the world’s rejected guest
The life is cold, and dark and dreary
It burns, in the chilled humanity
Where like an arrow the good intent
Has fallen short or in vain spent
Or like fair bubbles on a foul stream
Drifting along the fanciless dream
With a sound, like smothered weeping
In the dark and cold night of moaning
And he wept, though it was not for him
He weeps, for the shadow (bright or dim
Once chaste and fair, of his ideal thought)
Which by unveiled words has taught
How fickleness and caprice have been
In exchange with faith and zeal unseen
Ah, woe to him in that freezing night
When falsehood blocked the last stream of light
He rushed out from the chilly gate
To seek relief of the painful state
Filling the moment with distance run
When nothing but grief has won
The wretched soul. Beneath the cold sphere
Of the desolate night, the tired year
Draws to the end. Near the fiery death
He ran till collapsing, out of breath.
Then slowly tottering back he met
A good friend who said: “Don’t you get
Why needs one bear with pain to prove
A fox is not worthy of time and love
When the hopeless downgrade of virtue
Has been itself a proof of disvalue?
This is how fancy passes and dies
Losing may be gaining in disguise.”
Grateful for Mr. Huang Bin and Ms. Shi Xiao’s help.
Composed in the Business Library, Columbia University, New York
November 25, 2006
November 12 Pendulum of LifePendulum of Life
Nec, quae praeteriit, iterum revocabitur unda:
Nec, quae praeteriit, hora redire potest.
Ovidius Naso, Ars Amatoria, Lib. iii
The moon rises, the sun falls
The twilight darkens, the librarian calls
From the reading room quiet and warm
The poet hastens towards his dorm
Walking through these Gothic halls
Darkness devours the dusk of day
The lamps on roads are dim and gray
And the heart, drowsy, tired and dull
Wandering like an aimless gull
Has nothing but silence to say
The morning breaks, the alarm calls
And the dreamful silence stalls
The day returns, but nevermore
Returns the days with her before
And the moon rises and the sun falls
Nec... potest (Latin): Neither will the wave which has passed be called back; nor can the hour which has gone by return.
Nov. 2006 November 09 A bad poem for bad poetry contestPoet and Pen
There is a poet and he has a pen
the commonest tool among men
Oft with his wild textual skills
the wonderland he entered thrills
The forest the hills and the dews
With uncurbed fancy he pursues
The pen back and forth releases ink
To push greatness beyond its brink
For writing, being a creative act
has been a biological contract
rooted in the body -- chiefly the male
between our life and romantic tale
And bad poems by asses are like this
weird, wicked, in order to draw hisses
A bad poem written for the annual bad poetry contest at Columbia (the image is too bad to be explicitly explained) August 29 02 The Socialist02 The Socialist Wuhan at the end of the twentieth century was a bustling chaos of movement and energy, poverty and hope, due to Deng Xiaoping’s economic reforms sweeping over the country. Enjoying the confluence of the Yangtze and Han River, the city is the most populous metropolitan in central China, first settled more than 3,000 years ago. A renowned center for the arts (especially poetry) and intellectual studies, it is also internationally famous for the Wuchang Uprising in 1911 which triggered the collapse of Qing Dynasty and establishment of the first republic in East Asia. My family was living in the nearby area of Wuhan University when I was five years old to record the first continuous memory of my life in the year of 1989, a year of events led by students, intellectuals and labor activists who developed over the course of their demonstration from protests against corruption into demands for freedom of the press and an end to, or the reform of, the rule of the Communist Party and Deng Xiaoping. I was too young to appreciate that energizing myth, though. Nevertheless, I can still visualize the sunny day when everywhere well-wishers come out of their homes, offices and shops to wave and show support. My mother carries me to join the students. By the time we reach JiedaoKou, the numbers are swelling beyond count. Police blockades at critical junctions are relaxed as the good-natured vanguard of students wearing sun-visors, carrying the sweaters and jackets no longer needed in the midday sun, cheerfully beg cooperation. A jolt of energy surges through the rapidly moving procession, numbering ten thousand or more as we reach DaDongmen. The students around me are sweaty and sunburned, some losing their voices, others already limping from the long march. My mother purchased several boxes of soda-water and arranged me to uncap all the bottles and distribute to the students. My father, having organized a group of peasant construction workers equipped with huge slogans (wrote by father on my mother’s wedding sheet) marching to the magnificent palace of provincial government, settled me in the front of his bike and followed behind in a safe distance. He was shrewd enough to ensure that our personal safety would remain intact during later possible arrests and bloody purges - which occurred indeed, yet we remained safe.
Father was then a factory worker who received his education by reading consciously during the dark days of the Cultural Revolution; he loved Chinese literature and law. Being a son of an “extreme-rightist” and grandson of Chief Justice Cheng (r. 1953-67) in the adversarial state of Taiwan, the “bad elements” in his political background ruled out his eligibility of getting a lawyer’s license, but he almost developed an expertise on classical Chinese. When I was born, he betrayed the patriarchal tradition in China, showing no objection to name me after mother, who shares the 77th lineage of Confucius or Kong-Fu-zi with the last name Kong. And as literary as he was, he took lingxi from a poem of Li Shangyin - the best and most loved poet of the late Tang period whose works are sensuous, dense and allusive. ling means spirit or inspirited and xi or lingxi refers to a special rhinoceros horn; legend has it that under the burning light of lingxi, human can ultimately see through nature and recognize monsters and deities.
He proved to be a gentle and kind companion, never authoritative and always tolerant of my solipsistic peculiarities. I (if my memory does not deceive me) received few bombardments of moral exhortations from him, but encouragements to debate and discuss ideas, to challenge and persist, to attack and defend by reason. Consequently, I was always seen as the most troublesome student in school, in part because the behavior did not match the academic records - who would love to have a top student challenging his authority, thus behaviorally corrupting the rest? It became more so in middle school when I shamelessly attempted to employ classical Chinese rhetoric to challenge the school’s unpopular policies; terrible relationship with the teachers readily led to my voluntary exile from the classroom into three-month home-education, during which I experienced, with pain and ecstasy, the pregnancy and birth of my first invention.
My father ran a construction and decoration company since I was ten, but the company suffered an economic crisis resulted from the uninspired manager betting on an uninspired project, which finally led to its collapse when I was in middle school. Our family moved many times to avoid the terrifying creditors, and the ungratefulness of our debtors could hardly lighten our estimation of men. Father demonstrated his skills as a talented lawyer and brought me as his assistant to all levels of courts to sue the debtors, but it was a time when gold-clad hands could easily buy off laws and justice. Frequented the courts, it was the first time I came into contact with the hapless side of contemporary life. The ragged dress and frightened faces of men, women and children who covered the ground outside every court, having suffered from all sorts of injustice and official wrong-doings, received no legal assistance and some of them had to sleep outside the courts in the open air; they were waiting - some had waited for months to get a chance meeting the director during the monthly office hours, during which he, by a kaleidoscope of excuses, rarely showed up. My father tried his best to advice them on procedural laws, on the way to collect and present what sort of evidence, the tactics of dealing with bureaucracy, the basics of legal reasoning, etc. As his assistant, I was gradually able to process some uncomplicated cases under his supervision and even once disguised as a lawyer to represent an old, ragged, impoverished lady hoodwinked by a charlatan. She with her trembling hands offered 20 yuan for my successful effort and crowned me Living Lei Feng, a soldier hailed by the propaganda as the best moral exemplar of young people. I returned the money and gently removed the wreath from my unwilling head with a confused modesty. Her innocent son was executed without trial in 1983 during the yan’da or harsher punishment period; no positive outcome had been reached thus far despite her seventeen years of undiscourageable petitioning. But when I learned from her melancholy voice that she herself was sent to lao’jiao or labor education three times during these years, because each time the local government deemed her peaceful petition in Beijing had “disturbed social harmony”, my imagination was chilled.
The relative economic liberalism of Jiang Zemin’s administration let me, aged 16, to hope that the proximate aims of socialism might be realized sooner, and with less turmoil, if more and more socialists should carry on their faith and work for the welfare of the society. Consequently and naturally, it was my belief that there would be the presence of a leader of genius ability and exceptional integrity who could effectively control corruption and gradually launch political reforms benefiting future generations. My parents unfortunately being shuang’xia’gang or simultaneously laid-off were victims of these economic reforms; yet my childhood was not embittered. Like every baby produced under the One-Child Policy, I had no siblings and was protected well. I joined almost every student of my generation to become a member of The Communist Youth League in middle school and promised to write Ideological Reports regularly. The promise was kept, but my doubts grew.
With that touching, sentimental, idealizing blend of hope, confusion and socialism that dominated my spiritual chemistry, I became a high school student in Wuchang Experimental School in 1999, where I strived to compete with my ambitious peers in the effort to bear off a prestige award in the Olympic competition of science - math, chemistry, physics or biology. Biology particularly fascinated me; I studied diligently the subject and made a hectic start: At the end of my second year high school, I had gained a substantial knowledge in the main fields of biology, being somewhat mediocre in physiology and microbiology, yet proudly excellent in taxonomy.
I think it was my studies of biology did most to sober me and further diluted these blind hopes for a warless socialist regime or for a Chinese Gorbachev: it forced me, aged 17, to recognize the social and political implication of the inescapable, omnipresent struggle for existence; now I saw that struggle not merely in plants and animals, but as well in the competition of man against man, of woman against woman, of state against state, of idea against idea - competition is the law of life. In this view the socialist call for a warless and classless society seemed doomed by the processes of nature and the resultant nature of man. It became clear to my budding brain that the communist ideal of equal reward and a classless society was biologically impossible. August 27 Autobiography - 01 The Anarchist01 The Anarchist Of course every personal narrative is a form of exhibitionism. In writing his Confessions Rousseau was yielding to that impulse just as definitely as when he displayed his buttocks to the women at the well. There is a pleasure in talking, or hearing talk, about ourselves, even if the talk is hostile; and if we quote some of the adverse reviews we received, it is partly because we would rather be attacked than ignored. Like the rebellious Rousseau (or more like a Don Quixote fighting windmills), I was young and active enough to be privileged to contemplate the world from the inside of a prison; yet unlike the pessimistic Rousseau, the inventor in me forced me to realize that intellect is not intelligence, and that happiness, like beauty and perfection, lies in the fulfillment of our natural selves. How shall I find an order and channel for this turbulence, and bring myself out of a jail in China to this spot of peace in the Capital of the World? A thousand ideas rush to my head and confuse my memory. I was born in Wuhan, Hubei Province, China on March 7, 1984, of a mother who was stranger than fiction, and of a father as subdued and gentle as my mother was sensitive and strong, but I am not a happy compromise of these qualities. Like every kid in China, I attended public schools, where the education burdened its pupils with ideological education, endless preparations and tests that made us poorly adapted to an increasingly complex world. I soon found myself an over-excited fledgling in a nest of guai’haizi or good-children. I was free to learn in the school of experience and developed a corresponding character: positive, lawless, ready to answer back, to dodge or strike, to fight my way. I roller-skated, skipped rope, plucked trees, enslaved chickens, dismantled electrics, conquered nests, tamed snakes, tramped the street, ran up and down stairs, fought and made up, and avoided school as much as I could. I pestered old and young with questions about this and that, and naturally about sex above all. I can remember when I thought that women, whose plentiful concealment stimulated my curiosity, had the same penetrating apparatus that men carry so absurdly between their legs.
Complaints from my neighborhood joined with my mother in plans for changing me from a troublesome and conceited brat into a good student with model behaviors; I tittered but had to agree with their belief that such a transformation was possible.
When I was nine, my mother brought to me from Hubei Provincial Library a copy of Defoe’s Robinson Crusoe, who fascinated me with his manly independence, the persistence, the slow yet efficient intelligence, the calculating taciturnity. From that revelation dated my craze for books; frequented the library, and carried away armful of troves, reading preceded boyhood mischievousness as my intellectual predilection, fitly mingled with more tangible endearments. Hubei Provincial Library had a temptingly rich collection; I prowled hungrily among those treasures, and was interested in Confucian classics, Chinese history and, particularly, biography - the lives of people who shaped the world: From Archimedes and Aristotle to Edison and Einstein, from Caesar and Augustus to the founding fathers of the United States. Here, for a natural anarchist like me, was a sudden paradise. June 29 What the Mirror SaidWhat the Mirror Said
Listen, oh woman you are a speaker greater than Homer because someone can catch the nerd's lines in ancient Greek but not your words in a patient week!
Listen, oh woman you are a runner faster than Hector for he is the man who passed away in Book Twenty-two but someone's heart you just lived into!
Listen, oh woman you are a city with puzzling geography but be plain as you can for someone needs your map to learn you and directions to move around you.
June 29, 2006 June 28 To Rebecca’s DogTo Rebecca's Dog
Toto, little puppy, my lady's pet Oft you thrill her with your little paws In her arms or on her lap; um, your wet Nose sometimes makes her blush, because When she holds you closely and dearly She may find relief and not feel lonely.
When she walks you in her garden, seeing The darling buds of June, she seems to say: "Ah, the same rose that smiles to me today Tomorrow will fade away; how time's flying! Tender youth, a sweet song, bright and shining But sorry, only once can we be singing… "
O Toto, if only I could play with you too And lighten the gloomy cares of the heart. May you, bright creature, be brave and true. The Ocean could settle the lands far apart But whate'er time or space may intervene We are no longer strangers in this scene.
June 28, 2006 New York
June 26 Free Verse
We
Real cool. We Peel fool. We
Sing sin. We Fling kin. We
Rape date. We Tape mate. We
Hive wrong. We Live long. June 12 The Goblet of ReliefThe Goblet of Relief "Nunc est bibendum!" *
Filled is the goblet to its brim; Quickly the sparkling bubbles swim. Filled are my eyes with silent tears Slowly telling the sorrows of years I unfold the thoughts like a pilgrim.
No rosy flowers, no meadows green, Embrace the goblet’s shade or sheen. The bubbles, like phantoms, grow and Rise in the air; yet cannot withstand The gleams of shine, and vanish unseen.
This goblet, plain, lucid and chaste, Is filled with wine (your favored taste); As the deep fountains of my heart By strong spasms shattered apart, The wine is all running to waste.
O, I pledge in this cup of grief Brewed by Time, the deceiving thief: For maddening quaffs of dewy wine From the holy streams of Hippocrene, In half-waking dreams I find relief!
* Nunc est bibendum (Latin): “Cheers!”; literarily means “Now it’s time to drink”.
June 11, 2006 Lingxi Kong June 08 Estranged
In Morningside Heights I stood
Serene as ever the Hudson flows,
Are they changed or am I changed?
June, 2006 April 18 Salutamus ViventemSalutamus Viventem Aut viam inveniam aut faciam. - Hannibal
That was three thousand years ago, A man, watching wistfully into the sky Where gulls hovering in the rainbow, Thought, that man can both run and fly.
So he built himself two wings. And Trusting them and trying to glide, Icarus his son, wielding each hand, Fell into the sea and rested inside.
Undaunted, life carries on the dream… Thirty generations passed. Leonardo, Spirit made flesh, inspired to stream Across his drawings a machine; below,
A phrase left in the notes that rings Like a bell stamped in the deepest Memory: “There shall be wings!” Leonardo failed and died, blessed.
But this dream, life still carries on. Generations failed and passed, men Said: “Stop, for God frowns upon All these doomed attempts.” And then
Men flew! Life is that which can Hold a purpose for three thousand Years and never yield. And through an Ancient voice, death will understand:
The individual fails but life succeeds, The individual dies but life, wondering, Trying, tirelessly and undauntedly proceeds, Planning, mounting, attaining, longing…
Lingxi Kong April 18, 2006 April 08 Poem: On the JourneyOn the Journey - To a brave friend
Does the muddy road stretch all the way? Yes, beyond the horizon. Will today’s adventure take the whole long day? From dawn to eve, my son.
Shall we meet other travelers in this journey? Yes, some ahead of us. Can I talk, or ask them what else did they see? They’d be happy to discuss.
But is there a resting place for the night? The sky itself is a dark tent. O, it must be cold, tough and dreary, right? That’s what strength meant.
Umm, how can I seek comfort, hope and energy? Learn to labor, and to pray. But in the night have you ever felt sad or lonely? The Polestar is invisible by day.
March 25 New York EternityMy friend drew this marvelous piece of art - Eternity, and sent to me as a gift. Wrought with extraordinary talent and imagination, each color or constituent professes a story or a belief; it is a flowery tale sweeter than any rhyme.
March 20 Sonnet: To Thee, the Spirit of ArtTo Thee, the Spirit of Art
Show me, O darling, thy talent in art, so bright and dear, Through thy delicate hand, fair and tender, that gleams Like an enchanting magic and echoes our joyful dreams. So beautiful that I catch my breath with pain to see clear! But more compelling is the Will merged from thy serenity- "cogito, sentio, suffero", de Beauvoir-like voice in thy heart, Modest yet undaunted, from thee Thanatos fled far apart. I wonder: is that Muse who inspired Sappho inspired thee? O, when thy cherubic face delighted at Seine, what a zest On Eiffel, and what an ecstasy in Louvre came from thy Pilgrim soul? "ars est vitae essentia", a sweet voice thou reply. So in these awkward words my sincere fondness expressed: If all were to vanish to-morrow like roses withering away Thou wouldst still be adored as I adore thy spirit to-day.
Lingxi/Peter Kong (1984-206_) New York March 2006
Notes: that clause in line 2 modifies talent in line 1 cogito, sentio, suffero (Latin): I think, I feel, I endure (suffer). de Beauvoir (1908-1986): Simon de Beauvoir was a French author and philosopher, one of the most celebrated female authors in her century. Her Le Deuxième Sexe (The Second Sex) laid groundwork for contemporary feminism. Thanatos (Greek mythology): Thanatos (θάνατος, “death”) was the personification of death; a son of Nyx (Night) and twin of Hypnos (Sleep). Sappho (600 BCE): Greek lyric poet considered one of the greatest female poets, although only fragments of her romantic lyrics survive. Plato refers her as the “tenth Muse”. Eiffel: Designed in 1889, Eiffel tower is located on the southern bank of the Seine River. Louvre: The Louvre Museum in Paris is one of the largest and most famous museums in the world. The building, a former royal palace, lies in the centre of Paris, between the Seine river and the Rue de Rivoli. ars est vitae essentia (Latin): art is the essence of life.
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Sonnet 18: Shall I Compare Thee To A Summer's Day? William Shakespeare (1564-1616)
Shall I compare thee to a summer's day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer's lease hath all too short a date. Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance or nature's changing course untrimm'd; But thy eternal summer shall not fade Nor lose possession of that fair thou ow'st; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou grow'st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. Sonnet: Nymph of Thy DreamlandComposed in the mid-night, after waking up from a dream, with Saint-Saens's Swan gently flowing in the air.
To Thee, Nymph of Thy Dreamland
I come ashore in a dream to thy dreamland A gentle breeze ruffles my white tee-shirt As the waves flow smoothly, onto the sand Where gulls hovering happily as in concert But above all these fascinating things I see thee, dear friend, fairy, faraway, sings Softly thy own beautiful melody Oblivious to my presence and ecstasy At first, because of the sea I can not hear But slowly and gently the world goes silent And the sound of thy spirit becomes clear And captivates me, O, so divine and elegant Then the world begins to fade away, without trace Nothing exists in me, but thy voice and thy grace
March 20 New York March 17 A Monologue from The Silent MountainThis is the only monologue in my tragic drama-- The Silent Mountain, cultivating the single-act play to its climax. I succeeded to develop a network of conflicts that reinforce each other, but I took a great risk to write a monologue revealing the inner conflicts of both the hero and the heroin. Because when monologues are used in realistic drama today, they’re usually brief, and an effective way to reveal inner conflict is to provide the protagonist with a confidant, a personal friend or a mirror character who serves primarily to set off a primary character by contrast. However, this technique is not practical here in this single-act play. Since I am good at writing classical poetry, I just audaciously tried a very classical way -- a Shakespearean monologue poeticized. Yet its success, I trust, largely depends on the performer’s capacity.
DISABLED MAN: (wounded, very painful, utterly helpless, bleeding on the head; monologue) O immortal Gods, why should I suffer the hate And poisonous arrows of this outrageous fate? Why should I plunge myself in a sea of painfulness And take arms against the desert of helplessness? My heart aches and a thousand pains shock My body. Be numb, to sleep, besides this rock. For in a sleep of conscience whatever dreams may visit, Must give me a pause, to stop at the calamity’s limit. For who would bear the whips and scorns of time, The pangs of despised love, the ongoing crime, The gangsters’ cruel fists, the ungrateful girl’s insolence, The oppressor's turpitude, the policemen’s arrogance, The government’s denial to my eighteenth petition For my father executed in the Cultural Revolution, And the idleness of the spineless spectators who withdraw And conspire the grayness of the so-called rule of law! O, in the dirty flows of this corrupted world, By offenders’ gold-clad hands, justice is hurled, And wicked booty itself will buy out the rules And twist the truths to make a trap for fools! What then? What rests? What memory would recall The conscience, but what then makes cowards of them all? Try what forgiveness can. Yet what forgiveness is meant And what can it worth when they will never repent? O wretched society! O conscience black as death! O lamed soul, that, struggling to freely breathe, But more engaged! Help, angels! Make a way! With thy bless the dirty currents will turn away! O Heaven! Stamp justice in each Caliban’s brain And on foreheads wearing forever the curse of Cain!
February 25 Poem: The Withering Age of InnocenceThe Withering Age of Innocence
I Newland’s courage proved only this That he chose to leave the lonely Paris He trailed through the onshore wind Like a wounded bird fallen behind Standing besides the ever ice-sea Where he lost the pearl of memory Where he bore in heart a hidden tempest Watching gulls o’er tides hovering gayest Where he dwelt at the soul’s expense Longing for a break of the sea’s silence
II When sitting alone in the Central Park He thought till the day went dark Finding memory is a deceiving murder The fountain of pains, tears and terror Knowing that he had first to forgive The past to seek the mastery to live An’ took the world not for a better place But for the oblivion of Ellen’s grace Yet no one could ever tell or know How much the balcony slaved his soul
New York Feb. 2006
The Age of Innocence is a 1920 novel by Edith Wharton which won the 1921 Pulitzer Prize. It is one of the greatest masterpieces in English literature, an "amazingly good writing from master of irony and wit." (Professor White) Plot overview: January 21 The Sword and the Gospel & OzymandiasThe Sword and the Gospel
Nero Claudius stared while the apostle blazed. Gospel was not written, stormed Peter, by any human hand, However self-righteous and narcissistic. You, understand: This is Christ the Savior said. The emperor’s eyes gazed, For all he knew was earthly power: emperors who razed Entire regions--cows, mules, treasure, and the very land, Where entire booties in the hand, he did each command: The males erased, children enslaved, and women disgraced. Repent, Heaven is near, said not by man but Christ. Amazed, The emperor fell back before Peter’s mouth. These words Could dismantle whatever legions and whatever swords Whether made of gold or steel by whatever hands. Crazed, The emperor cursed Peter, had him up-side-down crucified, And conjured up eccentric impulses without sense of guilt. Upon thee, Peter, saith the Lord, my Church shalth be built! The emperor was insane, deposed and committed suicide. Thousand years passed after the great empire decayed, Survived are the words of Christ our Lord that made Every hopeless rejoiced and comforted every bitter soul-- The womb-warming, lamb-gentle, world-wielding, Gospel.
New York January, 21, 2006
Ozymandias Percy Bysshe Shelley
I met a traveler from an antique land Who said: Two vast and trunkless legs of stone Stand in the desert. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read, Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed, And on the pedestal these words appear: "My name is Ozymandias, King of Kings: Look upon my works, ye Mighty, and despair!" Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.
England December, 1817 January 16 Will’s WizardryWilliam White, when importuned by A young Chinese boy to deny He is just an American lib, Looks contempt as—this is a fib (A whopper; really)—Will shows He’s one of the American intellectuals Who see the world through history Without bias and partisan sensitivity. While, hitting keys with two fingers Like playing wizardry, Will triggers Rhetorically his indifference to victory And aversion to the ‘worst’ presidency.
Jan. 16th, 2006 New York |
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